Posts Tagged ‘dogs’

Did A Group Of Poker Playing Dogs Help Bring Poker Out Into The Light

Thursday, July 29th, 2010

Born in 1844 to a family of abolitionist Quaker farmers, Cassius Marcellus Coolidge, nicknamed “Cash” by his friends and family, became an instantly recognized commercial artist with the series of Dogs Playing Poker he gave to the world. He is named after one of the most eloquent of orators against slavery, nicknamed “The Lion Of White Hall” as an anthropomorphic tribute to the township in which he lived. Mr. Coolidge (Cash) had no professional training in the arts whatsoever. Nonetheless, he was a very active artist, publishing drawings in papers before his twentieth birthday.

In 1903 he was commissioned a series of paintings on his favorite theme: mastiffs and Saint Bernards engaged in human activity. On nine of the sixteen paintings well bred and mannered dogs drink beer and whiskey, smoke cigars and pipes, and play five-card draw poker. Furry and in fur coats or flannel suits, they usually fill a cozy room with the only source of light being a shaded lamp above the table.

The players are established bourgeois, and seem to be reasonably well-behaved gentlemen, perhaps not altogether tame, but proper enough. The paintings reflect approximately the same period as that depicted in Sergio Leone’s Once Upon a Time in America. But Coolidge does not focus on the greed and violence of illegal underground clubs; rather, he shows poker finally emerge from the criminal murk into a more homely reality where decent members of society probably never bet more than a few symbolic cents and allowed themselves a few drops of bourbon when their wives weren’t looking. Poker was becoming common entertainment for most American men, not a means to make quick and dangerous money.

Well-respected gentlemen around 1875 were attending large evening poker games. A monthly rag called “Poker Chips” was one of the publications devoting itself to the game and most others published poker-related articles. As the century ended, rules became codified for draw-poker for the first time and were in force in all of the poker clubs. Some reporters went so far as to claim that baseball was no longer the national past time.

Gradually, unrelated to any criminal associations, the ability to play poker and the ability to wield a gun became the staple talents of any real man. Men who played good poker were usually likewise good soldiers, good sheriffs, and good politicians. In the spring of 1918, in Europe, the game was the most popular mode of entertainment among Harry Truman and his two million troops. Truman perfected his draw and stud poker as an artillery officer. When the peace treaty was signed, waiting to be shipped home, he and his combat friends spent the time at endless games of poker which they continued even after arrival home.

The ability to bet big and smart, bluff, and risk profitably was seen as identical in essence to the ability to survive in battle, survive on dangerous jobs in law enforcement, or do any job which required brains and brawn.

Coolidge had ample opportunity to observe the types, the clothes, the cards, and the basement clubs where games were regularly held. Adding a vivid touch of anthropomorphic humor, he created memorable representations of the middle class enjoying a game by then at least 200 years old.

The author is a successful limit cash game player. He plays poker online and receives Rakeback at PKR Poker and Rakeback at Victory Poker.

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Did a Few Poker Playing Dogs Help To Bring Poker Into The Light?

Tuesday, October 27th, 2009

Born in 1844 to a family of abolitionist Quaker farmers, Cassius Marcellus Coolidge, nicknamed “Cash” by his friends and family, became an instantly recognized commercial artist with the series of Dogs Playing Poker he gave to the world.  He is named after one of the most eloquent of orators against slavery, nicknamed  “The Lion Of White Hall” as an anthropomorphic tribute to the township in which he lived.  Mr. Coolidge (Cash) had no professional training in the arts whatsoever.  Nonetheless, he was a very active artist, publishing drawings in papers before his twentieth birthday.

The paintings along one of his favorite themes, mastiffs and Saint Bernards engaged in the activities normally attributed to humans, began with a commission in 1903.  Well-bred and well-behaved dogs drink alcoholic libations, smoke cigars and pipes, and play five-card draw poker in nine out of sixteen of the paintings.  Generally they are pictured as furry masculine types in fur coats or warm suits sitting around a table in a cozy room with the only source of light being a lamp above the table.

These proper members of the well-to-do bourgeoisie seem to be well mannered gentlemen, if not altogether tame, definitely a  cultured lot.  Think of Sergio Leone’s movie Once Upon a Time in America, the pictures are roughly of the same era.  But the focus of the paintings that Coolidge gives us is not the one of greed and violence as in the underground clubs depicted in the movie.  Instead, his poker games emerge from the murky criminal underworld into a decent society where the club members play poker, if not entirely for fun, for only a few cents, smoke a little tobacco and tipple just a bit behind their wives backs.  Poker was no more a way to make money quickly and dangerously.  It was becoming wholesome entertainment for the majority of American men.

Respected members of society as early as 1875 gathered at large nocturnal poker sessions.  Poker Chips was one of the publications dedicated to the game and most periodicals of the time included articles on poker in their content.  Standard rules for playing draw-poker were unified and distributed among all the poker clubs beginning at  the turn of the century.  This was a first.  It was even reported that baseball had lost its status as the national game.

Interestingly, the ability to play poker and use a gun, in no relation whatsoever to any criminal reference, became gradually the accoutrements of a “real man.”  If a fellow played a good game of poker they must also be good soldiers, good law men, and good, honest politicians.  During World War I in Europe, in 1914, poker became THE mode of entertainment among the two million troops and of Harry Truman himself.  As an artillery officer, Truman fine-tuned both draw and stud poker.  And at the end of the war with the signing of the peace treaty, he and his combat comrades played infinite games of poker waiting to be shipped home.  They continued to play the game after their arrival on home soil.

At that time, the prevailing view was to equate the ability to take risks at the table, to bet big, play smart, and bluff, (profitably, of course!) to the ability to survive in battle, in dangerous occupations like law enforcement, or do any job requiring a good brain and strong muscles.

Our boy, Cash Coolidge, was surrounded with plenty of opportunity to observe the types, the apparel and the game room ambience of the basement clubs where games were regularly played.  By adding his vivid, imaginative anthropomorphic humor to it all, he replicated very creatively the demeanor of the middle class engaged happily in a game that was at that time at least 200 years old.

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Canines Bring Poker Out of the Smokey Basements and Backrooms and Into the Light

Saturday, October 24th, 2009

Most of you will instantly recognize the series of paintings titled Dogs Playing Poker created by Cassius Marcellus Coolidge.  Mr. Coolidge was born into a family of Quaker farmers who were very much into abolition and was named after one of the most eloquent orators of the time who was given the resounding nickname of “The Lion of White Hall.  Coolidge, nicknamed “Cash” by friends and relatives, did not receive any formal training in the arts, but was nonetheless a prolific artist, publishing his drawings in papers before reaching the ripe old age of 20.

Cash’s favorite theme was, oddly, those big dogs Mastiffs and Saint Bernards, engaging in very human activities.  In 1903, he was commissioned to do a series of paintings on this very theme.  In nine of the sixteen paintings commissioned, very respectable, genteel dogs were gathered together to drink beer and whiskey and indulge in a cigar or pipe as they played five-card draw poker.  These furry gamers dressed in fur coats or wool suits would fill up a cozy den-like space whose only source of light was a shaded lamp over the table.

These reasonably well-behaved gentlemen are members of an established, respectable class of town folk, who though certainly not stodgy, are quite proper enough.  If you can conjure up Sergio Leone’s movie “Once Upon a Time in America,” you are in the right time period.  But the artist is not focusing on the greed and dark violence of the illegal underground clubs depicted in Leone’s movie.  He allows poker to come out of the darkness of all this into a more wholesome, mainstream faction of society where decent folk who may be wagering on a game, are certainly not into it for more than a few token pennies, and are indulging in a rare sip of whiskey and small pipe or cigar while their wives are away.  By this time, poker was becoming a respectable and common pastime for most American males.  It was no longer viewed as just as way to make a quick, risky and dangerous buck.

Well-respected gentlemen around 1875 were attending large evening poker games.  A monthly rag called “Poker Chips” was one of the publications devoting itself to the game and most others published poker-related articles.  As the century ended, rules became codified for draw-poker for the first time and were in force in all of the poker clubs.  Some reporters went so far as to claim that baseball was no longer the national past time.

Little by little, the skills at poker and skills at using a weapon were becoming the premier attributes of many a manly man.  If a man had the ability to play a good game of poker, he was considered also to be a fine soldier, sheriff, law man of any persuasion and a solid, honest political leader as well.  As a matter of fact, in World War I in Europe in 1918, poker was the most enjoyed form of entertainment among the troops and of one Harry Truman.  Truman actually greatly enhanced his own skill at draw and stud poker as an artillery officer.  Upon the signing of the peace treaty, while the troops were awaiting their transport home orders, Harry T. and his troops whiled away the time playing endless hands of poker.  A habit they continued well after arriving at their homeland.

It is the ability to bet large and shrewdly, take big risks, and bluff successfully for profit of course, that is also perceived to be the mark of the man that survives in battle, is willing and able to take on dangerous jobs like law enforcement or to be successful at any type of occupation that requires brains and muscle.

Cash Coolidge was around at a time that gave him every opportunity to observe the sort of person, the clothes, the card games and the milieu in which all of these elements came together in basement clubs that gave rise to the essence of his art.  Through his art, which consisted of a vivid imagination and anthropomorphic humor, he created a representation of the life of the bourgeoisie at the time enjoying a game that had been around for more than 200 years.

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Poker Playing Dogs Help Usher in the New Age

Thursday, October 22nd, 2009

Cassius Marcellus Coolidge, an instantly recognizable commercial painter who has given the world the series of Dogs Playing Poker, was born in 1844, into a family of abolitionist Quaker farmers and was named after one of the most eloquent orators against slavery, nicknamed (with provisional anthropomorphism) “The Lion of White Hall.” Nicknamed “Cash” by friends and kin, he had no official training whatsoever, but was very active, publishing drawings in papers before he was 20.

In 1903 he was commissioned a series of paintings on his favorite theme: mastiffs and Saint Bernards engaged in human activity. On nine of the sixteen paintings well bred and mannered dogs drink beer and whiskey, smoke cigars and pipes, and play five-card draw poker. Furry and in fur coats or flannel suits, they usually fill a cozy room with the only source of light being a shaded lamp above the table.

The players are established bourgeois, and seem to be reasonably well-behaved gentlemen, perhaps not altogether tame, but proper enough. The paintings reflect approximately the same period as that depicted in Sergio Leone’s Once Upon a Time in America. But Coolidge does not focus on the greed and violence of illegal underground clubs; rather, he shows poker finally emerge from the criminal murk into a more homely reality where decent members of society probably never bet more than a few symbolic cents and allowed themselves a few drops of bourbon when their wives weren’t looking. Poker was becoming common entertainment for most American men, not a means to make quick and dangerous money.

As early as 1875, respectable persons attended major night-time poker sessions. At least one monthly, Poker Chips, was dedicated to the game and most periodicals published related articles.  At the turn of the century, unified rules for draw-poker were for the first time spread among all poker clubs. Reporters suggested that baseball had ceased to be the national game.

Gradually, unrelated to any criminal associations, the ability to play poker and the ability to wield a gun became the staple talents of any real man. Men who played good poker were usually likewise good soldiers, good sheriffs, and good politicians.  In the spring of 1918, in Europe, the game was the most popular mode of entertainment among Harry Truman and his two million troops. Truman perfected his draw and stud poker as an artillery officer. When the peace treaty was signed, waiting to be shipped home, he and his combat friends spent the time at endless games of poker which they continued even after arrival home.

The ability to bet big and smart, bluff, and risk profitably was seen as identical in essence to the ability to survive in battle, survive on dangerous jobs in law enforcement, or do any job which required brains and brawn.

Coolidge had ample opportunity to observe the types, the clothes, the cards, and the basement clubs where games were regularly held. Adding a vivid touch of anthropomorphic humor, he created memorable representations of the middle class enjoying a game by then at least 200 years old.

Visit Rakeback Solution for the best Rakeback rates and Rakeback Promotions.